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Juliet's dance on the edge of eternity

TVD Day 03 - Inside the Apothecary - image by Mihaela Bodlovic (54) (1).jpg

Juliet awakens from a fever dream. How did we get here? The lines between hallucination and memory blur as cinema and dance collide in a kaleidoscopic journey of queer belonging, defiance, and self-discovery.

A vivid retelling of Shakespeare’s Romeo and Juliet brought to life by Scottish Ballet.

Trailer

Trailer

Upcoming Screenings

Edinburgh International Film Festival (World Premiere)

Fri 14 Aug, 15:45 – Cineworld Screen 2 

Fri 14 Aug, 20:00 – Filmhouse 2 (SOLD OUT)

Sat 15 Aug, 12:00 – Cameo 2 (SOLD OUT)

Sat 15 Aug, 15:00 – Filmhouse 2

Synopsis

Juliet wakes in The Apothecary, traces of death surrounding them: daggers, spilt poison, Romeo’s body.


Rewind.


Dragged into a fevered hallucination, Juliet slips between memory and nightmare as shadowy figures pull them back through the moments that led here.


They drift between the mirrored dining rooms of the Capulets and Montagues – two families divided by pride and ambition. At the Capulet table, Paris is paraded as a suitor; Juliet refuses the future mapped out for them. At the Montague feast, they are unseen – more ghost than guest. The worlds fracture and reform. Romeo, restless within his family’s restraint, retreats into his journal until Benvolio and his boyfriend Mercutio shatter his solitude, luring him towards a night of abandon.


Urged by Nurse to escape expectation, Juliet seeks refuge at The Apothecary, a queer club reclaimed from an abandoned building and presided over by the drag Sisters Laurence and Giovanna. Beneath neon light and pulsing music, Romeo arrives. Across a haze of glitter and sweat, their eyes meet. The connection is immediate, intoxicating. In a flamboyant ritual before the crowd, their love is sanctified.


Outside, Tybalt’s resentment curdles. A confrontation erupts; Mercutio is wounded and, in the chaos, Romeo sends Tybalt to his death. Reeling, Juliet agrees to appease their parents by courting Paris while secretly planning to flee.


Back at The Apothecary, Juliet takes a pill to escape reality and sends a defiant message, mistaken for a suicide note. Believing Juliet dead, Romeo rushes to them with poison in hand.
 

We end where we began.

A SCOTTISH BALLET FILM
IN ASSOCIATION WITH
FOREST OF BLACK
SUPPORTED BY SCOTTISH BALLET’S NEXT GENERATION CAMPAIGN SUPPORTERS
FEATURING KAYLA-MAREE TARANTOLO AND ISHAN MAHABIR-STOKES
CHOREOGRAPHY JULIA CHENG  MORGANN RUNACRE-TEMPLE  MYLES THATCHER

SOPHIE LAPLANE  NICHOLAS SHOESMITH AND ANDREA AZZARI
PRODUCTION & COSTUME DESIGN SAMI FENDALL DIRECTOR OF PHOTOGRAPHY DAVID LIDDELL

HAIR & MAKEUP DESIGNER AINSLIE CURRIE COMPOSER JOHN LEMKE SOUND DESIGN WILLIAM AIKMAN EDITOR OSCAR SANSOM
EXECUTIVE PRODUCER STEVEN ROTH PRODUCERS BETH ALLAN AND TONY CURRIE
DIRECTORS CHRISTOPHER HAMPSON AND OSCAR SANSOM

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Photos by Mihaela Bodlovic

 

© Scottish Ballet 2025

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